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KSPS in 2025: A Year of Growth, Gathering, and Poetry

As the holidays settle in and the year comes to a close, we’re turning back through the pages of 2025 — a year filled with meaningful events, new ventures, and many moments that reminded us why the Kentucky State Poetry Society exists: to support, celebrate, and connect Kentucky poets.

A Year of Open Mics — Both Virtual and In-Person

This year, our poetry community came together in more ways than ever. We hosted both virtual and in-person open mics, creating spaces that welcomed writers from across Kentucky and beyond. Whether gathering online or in a room filled with familiar faces, poets shared work that was bold, tender, experimental, and deeply human. These events continued to affirm that open mics are not just readings — they’re acts of community care.

Craft Talks That Deepened Our Practice

We had the honor of hosting craft talks led by incredible Kentucky poets, including a special session with the Kentucky Poet Laureate. These talks explored everything from revision to voice, imagery to narrative tension. They offered writers at every level a chance to learn, ask questions, and explore new creative approaches.

A Printed Pegasus — and a Digital One Too

One of the highlights of our year was the release of both a tangible print edition and a digital edition of Pegasus, our longstanding literary journal. Seeing the physical copies arrive was a moment of pride for the Society, especially after the dedicated work that goes into editing, designing, and producing each issue.

This year’s Pegasus also carries a special place in our hearts, as we honored the late Jon Thrower, a cherished member whose generosity, mentorship, and love of Kentucky poetry touched so many. His presence continues to guide our work and remind us why literary community matters.

A Beautiful Conference Weekend

Our annual conference was another bright spot — a weekend filled with workshops, readings, panel discussions, and joyful conversations between friends old and new. The energy in the room reminded us that poetry thrives where community thrives, and that the Society is strengthened by the people who show up to learn, support one another, and share in this art form.

Looking Back with Gratitude

From open mics to craft talks, from the pages of Pegasus to the conference stage, 2025 reaffirmed that KSPS is a place where poetry finds a home. None of this would have been possible without our members, presenters, volunteers, and supporters.

Thank you for sharing your words, your time, and your presence with us this year.

As we look toward the final days of 2025, we’re grateful for everything this community brought into being — and even more excited for what’s still to come. Start your membership today.

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Reflecting on the 2025 KSPS Conference: A Weekend of Poetry, Community, and Creative Renewal

Every fall, the Kentucky State Poetry Society gathers writers, readers, teachers, students, and lovers of language together for a weekend that feels less like a conference and more like a homecoming. The 2025 KSPS Conference—held November 1–2 both in person at Joseph-Beth Booksellers and the Lexington Writers Room, and online via Zoom—was a reminder of why poetry continues to matter in Kentucky: it brings us together.

This year’s schedule wove social connection, craft, scholarship, performance, and celebration into two full days of programming that centered one simple truth: poetry thrives where community does.


Day One: Gathering, Sharing, and Celebrating Together

Saturday opened with something beautifully simple—a meet and greet in the Writers Room at Joseph-Beth Booksellers. No pressure, no agenda, just poets reconnecting, meeting new members, and settling into a creative atmosphere. It set the tone for a day that would be equally welcoming and energizing.

The KSPS Welcome Session followed, along with the launch of the fall issue of Pegasus. For many attendees, this felt like a moment of arrival—an annual reminder of our shared work and the art we produce together.

From late morning into early afternoon, attendees explored the Kentucky Book Festival programming on both levels of Joseph-Beth. This open, wandering space between sessions became a highlight for many. There’s something inspiring about discovering authors, listening to snippets of panels, and browsing bookshelves—all with a community of fellow writers around you.

The afternoon keynote brought everyone together on the Main Stage with a conversation between Silas House and Kathleen Driskell—two voices who have shaped contemporary Kentucky literature. Their dialogue invited reflection on place, memory, responsibility, and the role of writers in challenging times. It was the kind of keynote that lingers.

The day closed at the Lexington Writers Room with a reception, open mic, and mini book fair—a space where emerging and established poets read side by side. It carried that mix of vulnerability and celebration that defines the KSPS community.


Day Two: Craft, Learning, and Creative Momentum

Sunday moved online, but the energy didn’t fade. If anything, the virtual format opened the door for even more participation from poets across Kentucky and beyond.

The day was packed with craft-focused workshops such as:

  • “What the Record Shows” with Lynnell Edwards, where attendees explored archival and documentary materials as poetic source.
  • “Your Dangerous Poem” with Letonia Jones, a generative session that encouraged poets to step into boldness.
  • “Sound & Sense” with Marianne Worthington, who guided participants through sonic properties that give poems their resonance.
  • “Poetrizzle Fo’Shizzle” with Tom C. Hunley, a playful and inventive dive into form and creativity.

Breaks between sessions offered needed breathers and informal conversation, preserving the human pace of an in-person event.

The Members-Only Business Meeting anchored the early afternoon—a reminder that KSPS is a member-powered organization continuing to grow and evolve.

Later came one of the most anticipated parts of the day: a poetry reading featuring Shauna Morgan, Lennie Hay, and Matthew S. Parsons. Their voices brought range—lyrical, grounded, experimental—and created a shared emotional thread that resonated with listeners.

The conference closed with a contest winners’ reading and open mic, where both seasoned poets and first-time readers stepped forward. It was a fitting end: a communal stage, a celebration of talent, and an open space for the future.


A Weekend That Reshaped and Recharged

What makes the KSPS Conference so meaningful each year isn’t just the sessions—it’s the sense of belonging. Over two days, writers had the chance to reconnect with familiar faces, meet new collaborators, share their work, learn something unexpected, and feel creatively renewed.

The 2025 conference reminded us that poetry is living work. It grows through conversation. It deepens through practice. It strengthens through community. And it thrives when we gather—whether in a bookstore, a writers’ room, or a Zoom window.

As we look ahead to another year of poems, workshops, publications, and connection, the feeling that lingers is gratitude: for the writers who shared their time, the presenters who shared their wisdom, and the members who continue to make KSPS a vibrant literary home.

Ready to Join the KSPS Writing Community?

Start your membership today.

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Labor of Love: Why Poets Keep Showing Up

Looking back on Labor Day, we’re thinking about the work behind the work—the effort it takes to write, revise, and return to the page again and again. Poetry, after all, is labor. Not the kind that comes with timecards and breaks, but the kind that demands heart, attention, and resilience.

At Kentucky State Poetry Society, we believe that poetic labor is worth honoring. Whether you’re squeezing in a stanza before bed or wrestling with a manuscript draft, your work matters. It matters to readers, to your community, and to you.

So this week, we invite you to reflect on what brings you back to the page. Is it a sense of wonder? A need for truth? The joy of shaping sound and image?

Here’s to the labor of poetry. The quiet kind. The bold kind. The kind that helps us make sense of the world—and ourselves.

Upcoming Craft Talk with Clay Matthews on September 16

What do marionettes and musical chords, tapestries and trapezes have in common with poetry?

Join poet and professor Clay Matthews for String Theory: An Exploration of Poetry that Employs Multiple Threads—a craft talk dedicated to unraveling the secret scaffolding that holds our poems together.

🗓️ Tuesday, September 16
🕖 7:00 PM (ET)
📍 Live via Zoom (Free with registration)

In this generative workshop, Matthews invites poets to consider how dissonant images, voices, and themes can be braided into a single cohesive piece. What makes some poems feel seamless, even when they’re full of contrast and contradiction? How do you give the illusion of flow when the content is anything but linear?

We’ll read examples of multi-threaded poems, explore the craft choices that allow those poems to sing, and dive into prompts designed to help participants experiment with their own layered drafts. Expect lively discussion, a little risk, and a lot of surprise.

This session is part of our Kentucky Voices programming and is open to all experience levels. Whether you’re working on a sprawling epic or a tight lyric, this talk will offer strategies to balance complexity with clarity.

Registration is open now – don’t miss out!

Ready to start your membership with Kentucky State Poetry Society? Become a member today!

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The Art of the Second Look: On Revision, Rest, and Returning to the Page

LexPoMo has wrapped, and if you took part in the 30-day writing marathon, you might be feeling a mix of pride, relief—and maybe a little uncertainty. Now what?

At Kentucky State Poetry Society, we believe that the end of writing is never the end of the poem. It’s an invitation. A doorway. A second look.

Whether you wrote 3 poems or 30 last month, July is the perfect time to step back and start revising. Revision isn’t about fixing something broken—it’s about listening closer, discovering layers you didn’t know were there, and shaping your words to say what they truly want to say.

A Few Questions to Begin:

  • Where does the poem surprise even you?
  • Which lines still feel electric weeks later?
  • Which ones feel heavy—or hollow?
  • What would happen if you changed the point of view? The tense? The line breaks?

Sometimes the poem you thought was finished is only just beginning.

Need a Reason to Revisit Your Work?

We’ve got two:

  • Our Poetry Reading is July 15—a great chance to hear how another poet crafts meaning, tension, and emotion in their work—and maybe get ideas for your own revisions in the process.
  • Our Adult Poetry Contest closes July 31. The poems that often rise to the top? The ones that have been thoughtfully revised, trimmed, expanded, and shaped with care.

Tip for the Week: Read Aloud

One of the simplest and most powerful revision tools? Your own voice.
Reading a poem aloud will catch clunky phrasing, weak images, and rhythm that doesn’t quite sing. It can also help you fall back in love with your own language.

So go ahead—step outside, find some shade, and give your poem a voice. You might just hear something new.

We’d love to see where your revision journey leads. Tag us @kystatepoetry —we might feature them in a future post. However you return to your work, know this: every poet rewrites. And every revision is an act of belief in your own voice.

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Summer Craft Talk Series: Poetry, Process & the Power of the Unspoken

This summer, KSPS invites members to dive into the art and process of poetry like never before. Our Kentucky Voices series is expanding to feature a special three-part virtual craft talk series, each led by a celebrated Kentucky poet and focused on a unique approach to poetic craft. These aren’t your standard readings. These are immersive, reflective, and experimental spaces designed to ignite curiosity and deepen your relationship with the written word.

Our first session kicks off July 15 with “One of These Things Is/Isn’t True: Negation in Poetry” led by award-winning poet and educator Trish Jaggers. This session asks a provocative question: What happens when meaning comes not from what is said—but what isn’t?

“There is no glass in the bathwater.”

With that image, Trish opens a gateway into the poetic potential of absence. In this talk, participants will explore how negation, opposition, and even lies can elevate language beyond its literal frame. Together, we’ll read poems that “tell all the truth but tell it slant,” and examine how emptiness, silence, and contradiction give poems their emotional weight.

This won’t be a traditional workshop. As Trish describes it, it’s “an opening through which we will slip on our way across the water, tiptoeing around the shards that are not there.” You won’t leave with rules—you’ll leave with questions, experiments, and a new lens for your own writing.

📅 July 15, 2025 | 7 PM EST
📍 Virtual | KSPS Members Only
🪑 Space is limited to 55 participants – Register now

Upcoming Craft Talks

String Theory: An Exploration of Poetry that Employs Multiple Threads
Hosted by Clay Matthews | September 16, 2025 – 7 PM EST
What holds a poem together beneath the surface? In this session, we’ll unpack the hidden structures that tether together different voices, moments, and meanings. Through guided prompts, discussion, and practice, you’ll experiment with weaving your own threads—poetic and otherwise—into new creative work.

Craft Your Words: A Multi-Modal Approach to Poetry Writing
Hosted by Lucy Oquaye | November 18, 2025 – 7 PM EST
Poetry can be paper and glue, image and text, absence and form. This hands-on session explores how collage, blackout poems, and zine-making can unlock new poetic possibilities. With tactile tools and a multi-sensory approach, we’ll create poetry that embraces fragmentation and opens new doors of expression

How to Participate

These craft talks are free and exclusive for KSPS members. Each session is limited to 55 participants to ensure an intimate and engaging experience. If you’re not yet a member of the Kentucky State Poetry Society, now’s the perfect time to join. You’ll get access to this series and a full year of member benefits, including publication opportunities, contests, and more.

Start your membership and reserve your spot today.

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Lines of Liberation: Honoring Juneteenth + the Rhythm of Resistance

On June 19, 1865—more than two years after the Emancipation Proclamation was signed—Union troops arrived in Galveston, Texas with news: slavery had been abolished. For the last enslaved Black Americans, freedom had finally reached their doorstep. That day, now commemorated as Juneteenth, is a celebration of delayed justice, enduring hope, and the unbreakable will of a people.

At KSPS, we recognize that liberation is not a single moment in history—it’s an ongoing act of expression, remembrance, and resistance. And for generations, poetry has been a frontline of that work.

From the spirituals sung in secret fields to the revolutionary sonnets of Claude McKay, from Gwendolyn Brooks’ portraits of South Side Chicago to bell hooks’ fierce meditations on love, justice, and Black womanhood—Black poets have shaped American literature with unmatched power and depth.

Their work is not only literary—it’s liberatory.

Suggested poets to read this Juneteenth:

  • Audre Lorde – poet of truth-telling, queerness, and rage as fuel for transformation
  • bell hooks – Kentucky-born visionary of love as a radical act
  • Lucille Clifton – master of brevity, wonder, and ancestral memory
  • Langston Hughes – the blues poet of Harlem and Black joy
  • June Jordan – bold voice for Black feminism and global justice
  • Nikki Giovanni – a firebrand of civil rights-era poetics
  • Frank X Walker – founder of the Affrilachian Poets, rewriting Appalachia’s story
  • Crystal Wilkinson – lyrical witness to Black rural life in Kentucky
  • Jericho Brown – Pulitzer Prize winner blending music, myth, and survival
  • Terrance Hayes, Tracy K. Smith, Ross Gay, Mahogany L. Browne, Hanif Abdurraqib – and many more shaping poetry right now

We encourage you to spend time with their words this week. Read them aloud. Share them. Let them move you.

 Poetry Tool Spotlight: Meter as a Measure of Freedom

Meter—the rhythm of a poem—might seem like a purely technical tool. But in the hands of Black poets, it becomes a tool of transformation.

Think of how Langston Hughes used jazz and blues rhythms to echo the beat of Black life. Or how Gwendolyn Brooks bent the sonnet form to tell stories the canon had ignored. Meter can be a reclamation—of space, of voice, of breath.

To explore this for yourself, try writing a short poem in a traditional form (like iambic pentameter or the blues stanza), but fill it with your own truth. Or deliberately break the meter—because freedom includes the choice to follow or fracture tradition.

This Juneteenth, we honor not just the history, but the living, breathing art that continues to shape it.

Join us Tuesday, June 17 for our Virtual Open Mic


Whether you’re sharing something rooted in history, a new LexPoMo piece, or just coming to listen—this is a space for community and voice. RSVP link and details here.

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Echoes of the Hills: Crystal Wilkinson and the Power of Black Appalachian Poetry

Appalachia is a region rich in story—carved into song, passed through generations, whispered on front porches, and shouted on protest lines. And among its most powerful literary voices is Crystal Wilkinson, a former Kentucky Poet Laureate and a defining voice in contemporary Appalachian poetry.

Born and raised in Indian Creek, Kentucky, Wilkinson’s work is a poignant exploration of Black identity, rural life, and generational memory. In her collection Perfect Black, she weaves together lyricism, narrative, and place with precision and power:

“I am the woman with cocooned fists / trying to break free.”

Her words, like so many Black Appalachian poets, are acts of reclamation. They challenge the myth of a monolithic Appalachia. They honor the complexities of growing up Black and rural. They make visible the invisible.

At KSPS, we believe in lifting up these voices—not only during moments of celebration, but year-round. We are proud to count Black poets among our members, mentors, and inspirations.

As we move closer to Juneteenth, we’ll continue to highlight the Black literary contributions that have shaped both Kentucky and Appalachia. Crystal Wilkinson’s poetry invites us to look deeper, feel more fully, and write with brave honesty.

Want to read more?

  • Perfect Black by Crystal Wilkinson
  • Buffalo Dance by Frank X Walker
  • She Had Some Horses by Joy Harjo

Who are the Black Appalachian poets who’ve shaped your writing? Let us know in the comments or tag us in your reflections.

June 17 Open Mic

Our next Virtual Open Mic Night is June 17! Whether you’ve been writing all month for LexPoMo or just penned your first poem in years, we’d love for you to join us.

These events are warm, welcoming spaces where voices of all kinds are celebrated. Bring a piece to read, or just come to listen and be inspired.

Details and RSVP link here. Mark your calendar and help us fill the virtual room with Kentucky poetry!

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Celebrating Poetic Momentum: Looking Back, Looking Ahead with KSPS

Poetry is always in motion—and at KSPS, we’re proud to keep that momentum going. Whether you’ve been writing for decades or just picking up the pen, there’s always a new way to engage, connect, and grow with our community. From inspiring open mics to upcoming readings and events like LEX PO MO, now’s the perfect time to plug in, look back at what we’ve built, and look ahead to what’s next.

Celebrate Poetry with Julie Hensley – May 20 on Zoom

We’re thrilled to host Julie Hensley for a special KSPS reading on Monday, May 20 at 8 PM EST via Zoom. Julie is a poet and prose writer whose work weaves place, memory, and identity with lyrical precision. Don’t miss this opportunity to hear from one of Kentucky’s own—this is a free event and open to all!

Save the date and register to attend here!

Lexington Poetry Month Is Almost Here!

It’s also Lexington Poetry Month (LexPoMo)—a local favorite where poets challenge themselves to write a poem each day throughout the month of June. It’s a fantastic way to build a writing habit, connect with other poets, and add your voice to Kentucky’s vibrant literary community.
Sign up and get ready to dive in: LexPoMo.com

Contests Are Open – Submit Your Work

Our KSPS student contests and two adult poetry contests are officially open! Whether you’re an emerging writer or a seasoned poet, this is your chance to share your work, get published, and win prizes. Don’t wait—submit your poems and encourage the poets in your life to do the same.
Details and deadlines can be found on our Contests Page.

Big Thanks to Our April Open Mic Readers

We recently hosted a fantastic in-person open mic at the Loudoun House in Lexington, and we’re still buzzing from the energy in that room. Huge thanks to all who attended and shared their work. It was a beautiful night of poetry and connection—and we’re already thinking about the next one. Stay tuned for future in-person events!

Ready to Celebrate Your Love of Poetry?

Treat yourself to a KSPS membership — because nothing says “I love poetry” like joining a community that lives and breathes it year-round.

Here’s what you’ll get:

Publication Opportunities
Submit to Pegasus, our annual journal, and share your voice with a statewide audience.

Exclusive Events
Enjoy bi-monthly open mics, Kentucky Voices readings, and three free craft talks between now and November.

Contests & Recognition
Enter member-only poetry contests and earn recognition for your work.

There’s never been a better time to celebrate the power of words, community, and creative expression here in Kentucky. From live readings to exciting contests, there are so many ways to connect and participate with the Kentucky State Poetry Society.


Whether you’re writing daily, attending readings, or cheering on fellow poets, there’s a place for you in this growing, generous community. May is our moment—let’s make the most of it.

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Line Breaks That Breathe: The Power of Enjambment in Contemporary Poetry

One of poetry’s quietest tools is also one of its most radical: the line break. And when used without punctuation to carry a sentence or phrase across that line, it becomes something even more powerful—enjambment.

Unlike end-stopped lines, which conclude a thought or image neatly at the line’s end, enjambment allows your poem to flow, twist, and unfold in unpredictable ways. It can build suspense, shift meaning, or inject rhythm and movement into even the stillest of moments.

What Is Enjambment, Really?

Enjambment is the continuation of a sentence or clause across a line break without a pause. The reader’s eye moves forward without rest, propelling both the narrative and emotion of the poem.

Here’s a classic example from William Carlos Williams in “Between Walls”:

the back wings
of the hospital where
nothing
will grow lie
cinders
in which shine
the broken
pieces of a green
bottle

Notice how each line break suspends the reader, forcing us to consider what might come next, only to have our expectations bent or broken by the following line.

Why Use It?

At an intermediate or expert level, enjambment becomes less about just sounding natural and more about deliberate control over pace, ambiguity, and emphasis. Used well, it can:

  • Delay meaning to create surprise or tension
  • Echo natural speech patterns
  • Emphasize or isolate a word for thematic weight
  • Disrupt rhythm to mirror emotional states

It can also challenge your reader to be an active participant—filling in the gap between what a line ends with and where the thought picks up next.

Enjambment in Practice

Take this example by Ada Limón, from her poem “The Carrying”:

The moon is no door. It is a face in its own
right, white as a knuckle and terribly upset. It drags the sea after it like a
dark crime; it is quite
untunable. It is a cry full of color and twisting
strings.

Every break shifts emphasis and tension, sometimes gently, sometimes jarringly. She isn’t just telling us about the moon—she’s letting us feel its gravity, line by line.

How to Use Enjambment in Your Own Work

Here are a few ways to experiment:

  • Write your poem first in prose. Then break it where rhythm, image, or ambiguity could gain power.
  • Read aloud. Let your ear decide where the tension lands.
  • Break on strong nouns or verbs to intensify meaning—or break mid-phrase to surprise.
  • Try reversing enjambment. Take an enjambed poem and end-stop every line. Notice what’s lost—or gained.

Even better, use enjambment to contradict or reshape the sentence. For example:

I thought the silence
would comfort me, but instead
it sharpened

That line could continue in a dozen directions—each with its own emotional spin.

Where Craft Meets Community

The beauty of a technique like enjambment is how it brings a poem alive in real time—and there’s no better way to experience that than reading it aloud.

That’s why we’re thrilled to host our in-person Open Mic at the historic Loudoun House in Lexington tonight, April 28, from 6–9 p.m. EST. Bring a poem, bring your voice, and share your craft with fellow Kentucky poets. (Entry is free!)And don’t miss our upcoming virtual poetry reading with Julie Hensley on May 20—a wonderful chance to hear from one of Kentucky’s most resonant voices. Registration is now open.

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Poetry in Bloom: Pegasus Is Here & So Much More

Big news, poets—Pegasus: Spring 2025 has officially landed! Whether you’re flipping through the pages for the first time or diving in with your favorite beverage and a highlighter, we’re excited to share this powerful new issue with you. With work that challenges, comforts, and inspires, this issue reflects the depth and diversity of Kentucky’s poetry community.

We’re especially proud of the poets featured in this issue—some names you’ll recognize, others you’ll be delighted to discover. Each piece offers something meaningful, and we can’t wait for you to experience it all.

Read Pegasus: Spring 2025 Now

You can now read the full issue of Pegasus online here. Whether you’re sipping coffee on your porch or reading between writing sessions, we know these poems will spark something in you. (We recommend bookmarking a few favorites to read again later!)

Loudoun House Open Mic – Next Monday!

Next up: join us Monday, April 21 at 6 PM EST for our in-person open mic at Lexington’s historic Loudoun House. This is more than just a reading—it’s a celebration of voice, presence, and connection. Whether you’re sharing your own work or cheering on others, we promise an evening full of warmth, creativity, and community. Come early, bring a poem (or two), and soak up the Lexington literary vibes.

Let’s Get Poetic: Ways to Get Reinspired This Week

Facing a bout of writer’s block head on? Here are some fun ways to dive deeper into your poetic practice this week:

  • Poem Swap: Partner with a friend and swap lines or prompts—then each write a poem using the other’s words as inspiration.
  • Write Outside: Take your journal to a park, a porch, or your favorite outdoor spot. Let the sounds, smells, and textures of spring guide your pen.
  • Found Poem Challenge: Snap a photo of an interesting sign, menu, or street art. Then, use those words to create a found poem.
  • Prompt of the Week: Write a poem that begins with the phrase “What I meant to say was…” and see where it takes you.
  • Share Your Work: Post a snippet of your poem on Instagram and tag us @kystatepoetry —we might feature you!

What Else is Happening With KSPS?

If you haven’t heard, Pegasus isn’t the only exciting thing happening right now. Be sure to check out our ongoing poetry contests—two for adults and one for students—now open for submissions. You can find more details here.

We’re proud to continue creating space for Kentucky poets to be seen, heard, and celebrated. Whether you’re brand new to the world of poetry or a seasoned voice in the scene, KSPS is here to support your journey.

Until next time, keep writing—and we’ll see you at the mic.